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Goblin Market, The Prince's Progress, and Other Poems

Christina Rossetti · poetry collection, 1862 and 1866·4 hrs in the original·original at gutenberg.org
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  • Sisterhood as salvation: In 'Goblin Market,' Laura buys enchanted fruit from goblin merchants and wastes away in craving; her sister Lizzie endures the goblins' physical assault without eating their fruit, returns juice-covered to Laura, whose kiss of the antidote cures her, and both later live as wives and mothers who teach their children that 'there is no friend like a sister.'
  • Procrastination as tragedy: In 'The Prince's Progress,' a prince repeatedly delays his journey to his promised bride — dallying with a milkmaid, sheltering with an alchemist, swimming a flood — and arrives at the palace only to find her dead, greeted by a funeral chant declaring 'Too late for love, too late for joy.'
  • Love, loss, and the grave: Across shorter lyrics such as 'Remember,' 'After Death,' 'Echo,' and 'Dead before Death,' Rossetti returns obsessively to the threshold between the living and the dead, often imagining the speaker's own death or the cold survival of a love that was never fully returned.
  • Devotional and spiritual verse: A substantial body of explicitly religious poems — including 'Up-hill,' 'The Convent Threshold,' 'From House to Home,' and the Advent sequence — frames earthly suffering as a pilgrimage toward divine love, with Christ's sacrifice offered as the only sufficient answer to vanity, sin, and grief.
  • Social and moral outcasts given voice: Poems such as 'Cousin Kate,' 'Under the Rose,' 'A Royal Princess,' and 'Sister Maude' give sustained, often defiant speech to seduced women, illegitimate daughters, and isolated princesses, exposing the cruelties of class, gender, and family honour with quiet but pointed force.
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Why it earns a slot

This collection contains 'Goblin Market,' one of the most discussed poems in Victorian literature for its intertwined allegories of temptation, addiction, and female solidarity, alongside a body of devotional and lyric verse that established Rossetti as the foremost woman poet writing in English in the nineteenth century.

This collection gathers Rossetti's two major published volumes alongside miscellaneous verse, ranging from the narrative poem 'Goblin Market,' in which sisterly love rescues a young woman from a supernatural addiction, to the allegorical 'The Prince's Progress,' in which a dilatory prince arrives too late to save his waiting bride. The remaining poems move across lyric, devotional, and dramatic modes, meditating on thwarted love, mortality, spiritual longing, and the consolations of faith.

This distillation is written from the freely available original, which is always the better read when you have the time: gutenberg.org.

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