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The Woman in White

Wilkie Collins · novel, 1859·19 hrs in the original·original at Project Gutenberg
The 30‑second version19 hrs → 50 sec
  • A woman in white touches Walter's shoulder at midnight. She is "dressed from head to foot in white garments," and asks Walter, an hour past midnight at a crossroads near Hampstead, "Is that the road to London?" He does not learn her name until much later: Anne Catherick.
  • Count Fosco carries a family of white mice on his body. His mice "crawl all over him, popping in and out of his waistcoat, and sitting in couples, white as snow, on his capacious shoulders." Sir Percival calls him "one of the first experimental chemists living," credited with a method for petrifying a corpse to marble hardness.
  • Marian overhears the conspiracy through a rain-pipe. Pressed by Fosco on why he institutionalized his wife's half-sister, Sir Percival admits the real motive: "She's just mad enough to be shut up, and just sane enough to ruin me when she's at large."
  • Walter kneels at a tombstone bearing the wrong name. Fresh off a shipwreck in the Gulf of Mexico, he reads a marble cross inscribed "Sacred to the Memory of Laura, Lady Glyde... died July 25th, 1850" and whispers, "Oh, my love! my love! my heart may speak to you NOW!"
  • Fosco writes his own confession as a vanity performance. He opens mid-brag: "At sixty, I worshipped her with the volcanic ardour of eighteen. All the gold of my rich nature was poured hopelessly at her feet." His own wife, he adds, "got nothing but the shillings and the pennies."
  • The novel closes on an infant named heir of Limmeridge. Marian holds up Walter's baby son and announces him to his own father as "Mr. Walter Hartright: THE HEIR OF LIMMERIDGE," then hands off the closing line: "let Marian end our Story."
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Why it earns a slot

Why it earns a slot: it built the sensation novel and courtroom-style detective fiction from dueling first-person testimonies, each narrator writing only what they could personally swear to.

A stranger in white stops Walter Hartright on a midnight road, and her resemblance to an heiress becomes the hinge of a plot to fake one woman's death and steal the other's identity.

This distillation is written from the freely available original, which is always the better read when you have the time: Project Gutenberg.

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