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Mosses from an Old Manse

Nathaniel Hawthorne · short story collection, 1846·12 hrs in the original·original at Project Gutenberg
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  • Hawthorne opens by describing his own house, not a story. The preface "The Old Manse" recounts moving into the Concord parsonage a year after its last clergyman died, and notes that Emerson wrote Nature in the same back study Hawthorne later claimed for himself.
  • Young Goodman Brown leaves his wife for one night of evil. He finds the whole village at a satanic communion in the forest, led by a devil figure carrying a staff carved like a black snake that seems to writhe. The figure tells the newly baptized sinners, "Evil is the nature of mankind. Evil must be your only happiness."
  • A scientist tries to perfect his wife by erasing one flaw. In The Birthmark, Aylmer's potion removes the crimson hand-shaped mark on Georgiana's cheek exactly as intended: it fades with her last breath, and she dies calling him "my poor Aylmer" even as he insists she is now "perfect."
  • Rappaccini's Daughter is set above a garden of poisons. A student named Giovanni rents a room overlooking a walled botanical garden in Padua tended by a doctor whose plants are rumored to be distilled into potent medicines, with his daughter Beatrice moving freely among the flowers he cultivates.
  • A watchmaker's life work is crushed in an infant's fist. In The Artist of the Beautiful, Owen Warland spends years secretly building a mechanical butterfly powered by something like magnetism. When his old master's grandson finally holds it, the child crushes it, leaving "a small heap of glittering fragments."
  • The book ends with a museum curated by the Wandering Jew. In A Virtuoso's Collection, the narrator tours a hall of impossible objects and meets its cold, courteous keeper, doomed to survive rather than die, who tells him flatly that his prayers for mercy "will be in vain."
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Why it earns a slot

Why it earns a slot: it's the collection where Hawthorne runs the same experiment six different ways, a person who tries to perfect, purify, or preserve something beyond its natural limit and gets ruin instead, from a birthmark to a mechanical butterfly to a village's collective conscience.

Hawthorne moves into a haunted-feeling Concord parsonage and fills it with twenty-five tales where science, faith, and craftsmanship all curdle into ruin.

This distillation is written from the freely available original, which is always the better read when you have the time: Project Gutenberg.

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